January 31, 2020

The announcement by London's police force that it will use live facial recognition reminded my of a book I published a few years ago called Street View People View. The arguments against it are essentially the same (although the quality of the technology is still moot) but what's changed is the sense of threat to personal safety on the streets of London. It's well documented that London is, outside China, the most cctv'd (if that's a word) city in the world which I think has normalised (not a nice word) surveillance here. I'm certainly conscious of its absence when I visit other cities around Europe. I'm also conscious that street photography is itself a form of surveillance. I've excused myself with the well worn argument that anyone - voluntarily - in a public space is open to being photographed. I must admit even writing this now makes me stop and think. I find myself thinking of clauses like some dodgy small print.

My pictures take months to produce so I don't share them randomly with my thousands (sorry, tens) of followers They are on film so there is no exif data of specific time and place People are in my pictures but the subject is the city It's not about you...it's about me etc etc

I acknowledge my work is becoming more anachronistic the longer I pursue it. The universal truths of earlier practitioners appear naive or repressive now. Street is still a valid form but it needs to reflect the present to work best, as it's always done. The New Europe project is my attempt to address that. It's given me greater motivation and purpose. It's also given me something else.

Empathy.

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Sean McDonnell

I've been pursuing a style of photography now called street for a number of years. A south Londoner by birth I am pre-occupied with the West End and spend too much time there taking black and white pictures on film. I nurture a hope that one day London will be recognised like Paris, New York and Tokyo as a great city of street photography but secretly like the fact that it is still the underdog. For someone who enjoys the solitary practice of his work I am surprisingly talkative about it - although not at the same time. Here's a collection of idle musings and distracting links.

These posts are a sample of my current blog PORTRAIT OF A STREET PHOTOGRAPHER. There are 10 years of posts so please visit!

Portrait of a Street Photographer archive

link to Portrait of a Street Photographer blog
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